An interior can begin with the same observation as a garment: the gestures of the person who will inhabit it. Before form comes movement — how a body enters, turns, reaches and rests.
Pattern, cut and seam translate into plan, proportion and threshold. Drawings and models test rooms in the same way tailoring tests fabric: through tension, balance and the precise relationship between material and use.
The film moves from cloth to drawing, from model to interior. Across each shift in scale, design remains an act of measure — a way of giving form to the space around the body.
